Willow in 300 Words

small girl aloneI haven’t had a chance to publish my books on Neobooks or epubli yet, but will do so this week and let you now how easy it is. But now for my next Willow project:

For a while now I’ve wanted to write Willow stories suitable for a picture book, little snippets of Willow’s life before she arrived in Stinkforth-upon-Avon. These stories are for a younger age range of readers than my Willow stories would normally target. So here’s the first of Willow stories in 300 words or less. I hope you’ll enjoy it. I plan to eventually publish a collection of these as either a regular book or as a flipbook online, if I can get to grips with the techie aspect of putting it together that way.

©Maria Thermann 14.07.2014

Small and Alone

Small and alone, Willow watched her mother and wondered when she would see her next. It was time to say goodbye again. With her mind already on the wider world, out for her next kill, Alice took little notice of her 8-year-old daughter. Alice was a mother, but first and foremost she was a vampire. She was too busy packing her suitcase to sense the tears brimming up in Willow’s eyes. Too busy thinking about the streets of London, where people went missing every day. The trembling throats she would bite; the food she would bring home to her family.

Small and alone, Willow walked over to the window and watched the taxi take her mother away. She tried to count on the fingers of her hands how often they had said goodbye this year. In a moment, some stranger would walk through the door and smile, trying to take her hand and tell her that everything was alright. But it wasn’t alright.

Aunty Verushka was from Russia and rolled her “R’s” in the most frightening way. When she spoke, it always sounded like a snarl. She wasn’t very popular. Willow practiced her “happy face” and squared her shoulders. Now she was ready for Aunty Verushka, ready for child minder number 503.

Small and alone, Aunty Verushka stood on the porch and waved Alice goodbye. She squared her shoulders, practiced her “happy face” and went inside. Now she was ready to face the little girl with tears in her eyes. The little girl, who needed a hug from her mother, just like Verushka needed a hug from hers.

Small and alone, the grandfather clock ticking in a corner, the two faced each other. It was going to be a long week, Willow sighed at last and held out her hand.

©Maria Thermann 14.07.2014. All rights reserved by the artist.

 

(picture source: Wikepedia,Taylor and Moulana, authors. English: Portrait of the Colquhoun children of Lake Clarendon, early 1900s Two girls and a boy from the Colquhoun family of Lake Clarendon, ca. 1900-1910. The girls are wearing smocked dresses and the boy is wearing pants and a shirt with a crocheted collar. The youngest child is seated, and the boy has his arm around her shoulder. The portrait was taken by Taylor and Moulana, Brisbane and Ipswich. Date between 1900 and 1910; Source Item is held by John Oxley Library, State Library of Queensland)

 

 

 

 

 

 

 

Vampire masters eBook Technology with minimum Bloodletting

Iconic scene from F. W. Murnau's Nosferatu, 1922 A screenshot of the 1922 film, Nosferatu. Though the film is in the public domain in the US, It is not in the public domain outside of US (and its origin). License details Public domain in the United States, likely copyrighted in Germany until at least 2029.

Iconic scene from F. W. Murnau’s Nosferatu, 1922

Over on Maria Thermann’s blog I’ve just explained my heroic efforts of dealing with uploading my ebook text into the Bookrix template – so this gives me the perfect opportunity to tell all of you creatures of the night out there what to watch out for when using your own artwork or book cover design for publishing an ebook via Bookrix.

I chose to create my own artwork for Willow the Vampire’s various adventures but this meant that Bookrix’s own logo and the tag line I wanted to insert were causing a multitude of problems.

If you are not choosing from one of their own royalty free templates, it best to use option 2 (upper left hand side of the upload screen), which allows you to upload and insert your own picture/artwork and insert the text via Bookrix text boxes. It also allows you to unclick the Bookrix logo and their book category, so these won’t appear on your book any longer once unclicked.

You are given lots of different font, colour and size choices for your title, tag line and author name but each will always appear in the dead centre of the part of the cover where you place your text box, which can be a nuisance if your artwork just happens to be a face – people who write their memoires will probably be cursing the No. 2 option.

For best results your design should have 3 areas that are fairly uni-coloured, so the text of the title, author name and tag line, if using, stands out as much as possible and isn’t obscured by the photo or artwork in the background. Anything preventing the reader who searches for ebooks to decipher what it says on the cover may throw your book out with distrubtion channels (Amazon, Google etc).

Placing the tag line on the Willow the Vampire & the Sacred Grove cover was a nightmare, because no matter what text colour I chose, it never stood out well against the background colours.

This is approximately what I ended up with: WTV sacred grove cover for scribd kindle amazonSo I’ll now have to change the cover on Amazon & Kindle & Scribd.com to match all of them to the Bookrix cover. It’s not the cover I’d hoped for but hey, I know better for next time.

And herewith I have now addressed a young reader’s – Miss Baethge – concern, namely that my last blog post didn’t contain the links for the ebooks I had uploaded on Bookrix.  I simply hadn’t received them then. Just click on the book title in the paragraph above and it will take you to the sales page, so you can have a look at how your ebook might be displayed to people who have not signed up to Bookrix but could potentially buy your book. It’s free to join Bookrix.

Within the community, once you’re a member, authors can join groups like they would on Goodreads and have discussions, promote their work, get advice etc. I’m really chuffed with the author page I got, which was easy to set up and looks amazing. It comes complete with a blog that allows authors and readers to communicate. Again, this was totally free.

The other two ebook links for Willow’s adventures are:

http://www.bookrix.com/_ebook-maria-thermann-to-hell-with-bloodsuckers/

and

http://www.bookrix.com/_ebook-maria-thermann-an-embarrassment-of-witches/

It is entirely free to publish ebooks, you get an ISBN number without any upfront cost and as long as you ignore their “if your book is ready upload the whole file” option and copy and paste instead into their “editorial template”, the second option on the upload page, you should get your book out there in no time. I’ve explained this in more detail on my Maria Thermann blog.

Description: The Vampire. 1893. Edvard Munch. Munch Museum at Oslo. xfgxdtjh

Description: The Vampire. 1893. Edvard Munch. Munch Museum at Oslo. xfgxdtjh

Distribution with some of the bigger ebook sellers can take up to two weeks before your ebook is listed, so my next post should contain the links to Barnes & Noble, Kobo, Apple iBookstore, Thalia, Google etc and I will update the Willow front page for this blog at that point – to have a coherent promotional approach, according to the Bookrix promotion guide I was sent for free.

A word of warning: if the layout of your book’s manuscript or your spelling and grammar leave a lot to be desired, you won’t be published and the Bookrix team will reject your book; you must revise it before trying again.

You can also upload books without selling them, making them available for free, which is what I have done to whet readers’ appetite for Willow’s adventures. It’s a single short story published as a book.

 

(Willow the Vampire book cover artwork copyright Maria Thermann, all rights reserved; source of pictures: Wikipedia; please note:

F.W. Murnau – screen capture around the 1hr 19min mark; a screenshot of the 1922 film, Nosferatu. Though the film is in the public domain in the US, It is not in the public domain outside of US (and its origin). License details: Public domain in the United States, likely copyrighted in Germany until at least 2029)